80 glossary
Brazilian music glossary
Words you will hear in lyrics, concerts and conversations, and what they mean.
- Abadá
- The T-shirt that grants access to a trio elétrico bloco.
- Afoxé
- A candomblé-linked carnival procession, such as Filhos de Gandhy.
- Agronejo
- Sertanejo with funk and agribusiness pride, from the 2020s.
- Ao vivo
- A hallmark of today's market: in 2025, 27 of the country's 50 most-played songs were live recordings.
- Aparelhagem
- The giant sound system of Belém's parties; the stage of tecnobrega.
- Arrocha
- A romantic Bahian ballad danced close together.
- Axé
- A Yoruba word for life force; the name of the Bahian genre of the 1980s.
- Baile
- The funk party, usually in a community court or street; 'baile funk' became an international term.
- Baião
- The northeastern rhythm launched nationally by Luiz Gonzaga in 1946.
- Balada
- A night out or club; also a romantic 'balada', the slow song.
- Batalha de rima
- An improvised rap contest in public squares, such as Batalha da Aldeia.
- Bateria
- In a samba school this is not the drum kit: it is the percussion section with hundreds of players.
- Batidão
- Any heavy, danceable beat in funk or pop.
- Bloco
- A group that parades in street carnival; Salvador's afro blocos created samba-reggae.
- Bossa
- Rio slang for 'knack' or 'charm'; 'bossa nova' is the new way of playing samba from 1958.
- Brega
- From 'cafona' (tacky); popular romantic music of the 1960s–80s that became a genre with pride.
- Breque
- A stop in the samba where the singer speaks a line; it names samba de breque.
- BRock
- 1980s Brazilian rock, named by journalist Arthur Dapieve.
- Caipira
- A country dweller of rural São Paulo and Minas; caipira music is the root of sertanejo.
- Cantoria
- A gathering of repente singers in the Northeast.
- Catira
- A caipira dance of handclaps and foot-stamping to the viola.
- Chamamé
- An accordion rhythm from the Argentina and Paraguay border.
- Choro
- An urban instrumental genre from late 19th-century Rio; also called chorinho.
- Clube da Esquina
- The Minas collective of Milton Nascimento and Lô Borges and their 1972 album.
- CTG
- Centre of Gaúcho Traditions, where Rio Grande do Sul's music is played and danced.
- Disco de ouro
- Pro-Música Brasil certification for sales or streams.
- Dupla
- Two singers acting as one name, usually in thirds: sertanejo's classic line-up.
- ECAD
- The office that collects and distributes public-performance royalties in Brazil.
- Enredo
- The theme of a samba school's parade, told by its samba-enredo.
- Escola de samba
- A carnival association that parades with a samba-enredo, floats and a bateria; Mangueira, Portela, Salgueiro.
- Fandango
- A viola and rabeca dance of caiçara communities and the South.
- Feminejo
- The wave of women in sertanejo from 2015 on.
- Festa junina
- June festivals (St Anthony, St John, St Peter) with forró and square dancing; Campina Grande and Caruaru hold the biggest.
- Festival
- The TV Record and Globo song festivals (1965–72) launched MPB.
- Forró
- From 'forrobodó', a lively party; it does not come from 'for all', as the legend says.
- Frevo
- The frantic rhythm of Recife carnival; 'to boil' in Pernambuco speech.
- Funk
- In Brazil this is not American funk: it is funk carioca, an electronic beat born at Rio dance parties.
- Gafieira
- A popular dance hall; it names samba de gafieira, with horns.
- Gravadora
- Record label; the majors and the independents (Deckdisc, Midas, Som Livre).
- Ijexá
- A candomblé rhythm played in afoxé processions.
- Intérprete
- A singer who does not write; Elis Regina and Gal Costa were great interpreters.
- Iê-iê-iê
- What Brazilians called 1960s rock, after the Beatles' 'yeah, yeah, yeah'.
- Jongo
- A circle dance with Bantu-rooted drums from the Southeast.
- Jovem Guarda
- A TV Record show (1965–68) and the youth-rock movement of Roberto and Erasmo Carlos.
- Letrista
- The lyric writer; Vinicius de Moraes and Aldir Blanc are the most celebrated.
- Louvor
- Evangelical worship music; Brazilian 'worship'.
- Mandelão
- São Paulo funk of the 2020s with distorted bass and 'automotivo'.
- Manguebeat
- Recife movement of the 1990s: maracatu + rock + hip-hop, with Chico Science.
- Maracatu
- An Afro-Brazilian procession, 'de nação' (urban) or rural ('de baque solto'), in Pernambuco.
- MC
- Master of ceremonies: the one who sings in funk and rap.
- Mestre-sala e porta-bandeira
- The couple who carry the samba school's flag in the parade.
- Micareta
- Off-season carnival with trio elétrico.
- Modão
- Classic, sorrowful 'roots' sertanejo; the opposite of universitário.
- MPB
- Música Popular Brasileira: not a rhythm but the songwriting tradition born at the 1960s festivals.
- Ostentação
- São Paulo funk of 2011–14 about cars, brands and money.
- Pagode
- Two things: the backyard samba circle (and the style born from it in the 1980s) and, in Bahia, the danceable pagode baiano.
- Pagodão
- Another name for pagode baiano, with a fast beat.
- Paredão
- A powerful car sound system at street parties, linked to funk and arrocha.
- Partido-alto
- Samba with a fixed chorus and improvised verses in a circle.
- Passinho
- A Rio street dance born at funk parties.
- Pipoca
- Those who follow the trio elétrico outside the ropes, without an abadá.
- Piseiro
- Sped-up electronic forró of the 2020s, with the 'pisadinha' keyboard.
- Proibidão
- Funk with explicit or crime-related lyrics, outside the radio circuit.
- Pé-de-serra
- Traditional trio forró: accordion, zabumba and triangle.
- Regional
- The ensemble that plays choro: flute or mandolin, cavaquinho, guitars and pandeiro.
- Repente
- Rhymed improvisation by two duelling viola players.
- Roda de samba
- An informal gathering around a table where everyone sings and plays.
- Samba de roda
- The samba of Bahia's Recôncavo, sung and danced in a circle.
- Sambódromo
- The samba school parade avenue; Rio's opened in 1984.
- Sanfoneiro
- An accordion player; the central figure of forró.
- Sarau
- A poetry and music gathering, today strong in the outskirts and in rap.
- Saudade
- The untranslatable word for the loving absence of someone or something; the theme of half of Brazilian songs.
- Sertão
- The semi-arid interior of the Northeast; 'sertanejo' means 'from the sertão', though the genre comes from the Centre-South.
- Sofrência
- Heartbreak sertanejo (and arrocha) about drink and betrayal; Marília Mendonça was the 'queen of sofrência'.
- Tamborzão
- The sampled atabaque beat that defined 2000s funk carioca.
- Toada
- The boi-bumbá song, sung at the Parintins Festival.
- Trio elétrico
- A truck with stage and sound system that leads the bloco at Salvador carnival.
- Tropicália
- The 1967–68 movement that joined Brazilian music, electric guitars and avant-garde.
- Universitário
- Sertanejo born at student parties in Goiás and Paraná in the 2000s; poppier and faster.
- Xote
- Forró's slow, partner-danced rhythm, from the German 'Schottisch'.