Samba de roda
Since 1860 · 2 artistsThe samba of Bahia's Recôncavo, with handclaps, plate-and-knife and viola machete; the root of Rio samba. Dona Edith do Prato, Mariene de Castro.
Heir to the samba de roda of Bahia's Recôncavo, carried into the homes of Rio's 'Bahian aunts' in the early 20th century, samba is the rhythm the world associates with Brazil. 'Pelo Telefone' (1917) is the first registered samba; from there came the samba schools, samba-canção, partido-alto and, in the 1980s, pagode.
If you like communal music, percussion and lyrics that tell everyday stories, start with Cartola, Paulinho da Viola and Zeca Pagodinho.
The samba of Bahia's Recôncavo, with handclaps, plate-and-knife and viola machete; the root of Rio samba. Dona Edith do Prato, Mariene de Castro.
The samba of the hills and the schools: Cartola, Nelson Cavaquinho, Paulinho da Viola.
Slow, romantic samba of the radio era, from Noel Rosa and Ary Barroso to Dolores Duran.
Samba with stops ('breques') where the singer speaks a comic tale; Moreira da Silva is the master, Germano Mathias the heir.
Grand orchestral samba that praises the country; 'Aquarela do Brasil' (Ary Barroso, 1939) is the landmark.
The samba that tells each school's parade theme at Rio carnival.
Improvised circle samba, with a collective chorus and verses made up on the spot.
1960s instrumental trios (Tamba Trio, Zimbo Trio, Edison Machado) mixing samba and bebop.
The danceable nightclub samba of the 1960s, between samba and jazz: Orlandivo, Ed Lincoln, Miltinho, Wilson Simonal.
The instrumental samba of the dance halls, with horns: Severino Araújo and the Orquestra Tabajara, Paulo Moura.
The swing of Jorge Ben Jor and São Paulo's black dance halls; it has its own ballroom dance.
Born at Cacique de Ramos with Fundo de Quintal: banjo, tantã and hand repique.
The São Paulo strand of the 1990s (Raça Negra, Só Pra Contrariar, Exaltasamba), today led by Thiaguinho and Ferrugem.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
The album of Cauby's biggest hit.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Debut, with "Casa de Bamba" and "O Pequeno Burguês".
The album of the song-tribute to Portela.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Samba-rock, guitar and alchemy; Jorge Ben's most celebrated record.
The Mangueira master's recording debut, on the Marcus Pereira label.
Debut, with "Não Deixe o Samba Morrer".
With "O Mar Serenou"; a big seller.
The title track about the roots of the Brazilian people.
Second album, with "O Mundo É um Moinho" and "As Rosas Não Falam".
Samba-funk with "Taj Mahal" and "Ponta de Lança Africano".
Introduced Cacique de Ramos pagode, with "Vou Festejar".
Debut of the group that created the language of pagode.
With "Deixa Eu Te Amar"; it passed a million copies.
Solo debut, which established Zeca as the voice of pagode.
One of the best-selling records in the country's history, with "Que Se Chama Amor".
The title track became the national team's anthem in the 2002 World Cup win.
Pagode classics in acoustic versions; a huge seller.
Album of the year at the Prêmio Multishow.
The funk star turns to romantic pagode.
Caetano Veloso's songs in samba.
The "King of Voice", the greatest singer of the radio era; first to record "Aquarela do Brasil" (1939).
▶ listenThe "Brazilian Bombshell" took samba and marchinhas to Hollywood in the 1940s.
▶ listenMangueira founder and author of "As Rosas Não Falam" and "O Mundo É um Moinho"; he recorded his first album at 65.
▶ listenThe "Poet of Vila Isabel": Rio chronicles in sambas such as "Com que Roupa?" and "Feitio de Oração".
▶ listenThe "Singer of the Crowds": "Carinhoso" (1937) and "Lábios Que Beijei".
▶ listenSinger of the sea and of Bahia: "O Que É Que a Baiana Tem?", "Marina", "Saudade da Bahia".
▶ listenFrom 1960s syncopated samba to the reinvention of "A Mulher do Fim do Mundo" (2015); named singer of the millennium by the BBC in 1999.
▶ listenCreated samba-rock with a unique guitar and swing: "Mas Que Nada", "País Tropical", "Taj Mahal".
▶ listenPortela's elegance in "Foi um Rio que Passou em Minha Vida" and "Coração Leviano".
▶ listenThe "godmother of samba" revealed Cacique de Ramos pagode and Zeca Pagodinho: "Vou Festejar".
▶ listenThe first Brazilian woman singer to sell over 100,000 copies: "Canto das Três Raças", "Conto de Areia".
▶ listenVila Isabel; "Canta Canta, Minha Gente", "Disritmia", "Mulheres".
▶ listenBorn at Cacique de Ramos, it created the language of pagode with banjo, tantã and hand repique.
▶ listenBrazil's most popular sambista: "Deixa a Vida Me Levar", "Verdade", "Vai Vadiar".
▶ listenA Brasília group that took the samba circle to the top of streaming in the 2020s.
▶ listenRegistered "Pelo Telefone" (1917), regarded as the first recorded samba.
▶ listen"Aquarela do Brasil" (1939), the exaltation samba that became the country's sonic postcard.
▶ listen"Chão de Estrelas" (1937) and a long radio-era career.
▶ listenFrom Trio de Ouro to the "Queen of Voice": "Tudo Acabado", "Errei, Sim".
▶ listenSambas of rare melancholy and beauty: "A Flor e o Espinho", "Juízo Final".
▶ listenSão Paulo samba with an Italian accent: "Trem das Onze", "Saudosa Maloca".
▶ listen"A Volta do Boêmio" (1956); one of the country's biggest record sellers.
▶ listenThe interpreters of Adoniran Barbosa: "Trem das Onze", "Saudosa Maloca".
▶ listen"The Divine"; "Canção do Amor Demais" (1958) is an early bossa nova landmark.
▶ listen