Festival-era MPB
Since 1965 · 44 artistsThe generation of Elis, Chico, Edu Lobo and Milton, forged at the Record and Globo festivals under the dictatorship.
'Música Popular Brasileira' is the name the country gave, from the 1960s TV festivals on, to the sophisticated songwriting of Chico Buarque, Elis Regina, Caetano Veloso, Gilberto Gil, Milton Nascimento and Djavan. It is not a rhythm: it is a song tradition that absorbs samba, bossa, baião, rock and jazz.
If you like singer-songwriters, sophisticated folk, or Joni Mitchell and Paul Simon, MPB is the Brazilian equivalent.
The generation of Elis, Chico, Edu Lobo and Milton, forged at the Record and Globo festivals under the dictatorship.
Caetano, Gil, Gal, Tom Zé and Os Mutantes mixed electric guitars, bossa and avant-garde; it lasted two years and changed everything.
Milton Nascimento, Lô Borges, Beto Guedes and Toninho Horta: Minas harmony, Beatles and jazz.
Belchior, Fagner and Ednardo brought the urban Northeast into 1970s song.
From Marisa Monte and Lenine to Tim Bernardes, Liniker and Marina Sena: 21st-century Brazilian song.
Itamar Assumpção, Arrigo Barnabé, Grupo Rumo and Premeditando o Breque at the Lira Paulistana theatre: experimental, independent song.
Northeastern-rooted concert music conceived by Ariano Suassuna: Quinteto Armorial and Antonio Nóbrega.
Live album by the duo of O Fino da Bossa; a huge seller.
First major album by the singer who defined festival-era MPB.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Debut, with "A Banda" and "Olê, Olá".
Tropicalist solo debut, with "Alegria, Alegria" and "Tropicália".
Gil with Os Mutantes and Rogério Duprat, with "Domingo no Parque".
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Tropicalist solo debut, with "Baby" and "Divino, Maravilhoso".
The album of "Jesus Cristo" and "Ana".
Lyrics of near-mathematical precision about life under the dictatorship.
A live album that became a counterculture symbol.
The album of "Detalhes" and "Como Dois e Dois".
With Elis's first recording of "Águas de Março".
The return from exile, with "Back in Bahia" and "Oriente".
Caetano's most experimental album.
An album almost without lyrics, because of censorship.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Gal at her peak, with a cover censored at the time.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Milton and Som Imaginário, with "Fé Cega, Faca Amolada".
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
Ney's solo debut after Secos & Molhados.
The album of "Como Nossos Pais" and "Apenas um Rapaz Latino-Americano".
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
An experimental dismantling of samba, rediscovered abroad in the 1990s.
From the show of the same name, with "Como Nossos Pais".
Debut, with "Meu Mundo e Nada Mais".
With "O Que Será" and "Meu Caro Amigo".
Gil returns from Nigeria and joins afrobeat, ijexá and reggae to samba.
With "Cálice" and "Apesar de Você", cleared by the censors.
The Minas collective's second meeting, with guests such as Chico Buarque and Elis.
Debut, with "Avôhai" and "Chão de Giz".
The first album by a Brazilian woman singer to pass a million copies.
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
With "Lua de São Jorge" and "Oração ao Tempo".
The album of "O Bêbado e a Equilibrista".
Pop and disco in Gil's own way.
With "Meu Bem Querer".
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
One of the 100 greatest Brazilian albums (Rolling Stone Brasil, 2007).
With "Festa do Interior", one of Gal's biggest hits.
Recorded in Los Angeles, with Stevie Wonder on harmonica on "Samurai".
Live debut, with "Bem Que Se Quis".
Produced by Arto Lindsay; the new MPB of the 1990s starts here.
Samba, pop and song in one of Marisa's best-selling albums.
Winner of the Grammy for World Music.
Debut, with "Salão de Beleza".
Debut, with "Garganta".
Album of the year at the Prêmio Multishow.
Percussive guitar and urban lyrics from the Northeast.
Album of the year at the Prêmio Multishow.
Marisa Monte, Arnaldo Antunes and Carlinhos Brown; a hit without concerts.
Debut, with "A Festa"; a big seller.
With "Ai, Ai, Ai".
Album of the year at the Prêmio Multishow.
Debut, with "Shimbalaiê".
With "Ainda Bem".
Album of the year at the Prêmio Multishow.
Album of the year at the Prêmio Multishow.
Elza reinvented with São Paulo's avant-garde; a Latin Grammy winner.
Debut, with "Trevo (Tu)".
Album of the year at the Prêmio Multishow.
Solo debut by O Terno's voice.
Folk and MPB with rap and samples.
Album of the year at the Prêmio Multishow.
Psychedelic pop and MPB.
Pop, funk and MPB from Minas that went viral with "Por Supuesto".
Tropicália revisited by Rio's new generation; a Latin Grammy winner.
Second album, after "De Primeira".
The "Pimentinha": MPB's greatest interpreter; "Arrastão", "Águas de Março", "Como Nossos Pais".
▶ listenTropicalist and former Minister of Culture: "Aquele Abraço", "Andar com Fé", "Palco".
▶ listenSongwriter and novelist; "A Banda", "Construção", "Apesar de Você" dodged the censors.
▶ listenTropicália's leader and one of Latin America's most influential artists: "Alegria, Alegria", "Sozinho".
▶ listenTropicália's voice: "Baby", "Divino, Maravilhoso", "Chuva de Prata".
▶ listenDramatic interpreter and Caetano's sister: "Carcará", "Explode Coração".
▶ listen"Bituca": "Travessia", "Maria, Maria", "Canção da América"; admired by Wayne Shorter and Herbie Hancock.
▶ listenFrom Secos & Molhados to the most theatrical solo career in Brazilian music.
▶ listenSophisticated harmony and swing: "Flor de Lis", "Oceano", "Sina".
▶ listenThe great MPB voice of the 1990s–2000s; Tribalistas; "Ainda Bem", "Amor I Love You".
▶ listenFestival-era composer: "Arrastão", "Upa Neguinho", "Ponteio".
▶ listenThe experimental tropicalist rediscovered by David Byrne in the 1990s.
▶ listenA composer recorded by Quincy Jones and Ella Fitzgerald: "Madalena", "Começar de Novo".
▶ listen"Como Nossos Pais", "Apenas um Rapaz Latino-Americano"; vanished from public life in the 2000s.
▶ listen"Amor de Índio", "Sol de Primavera", "O Sal da Terra".
▶ listen"Canteiros", "Borbulhas de Amor".
▶ listenFrevo, maracatu and rock: "Anunciação", "Tropicana", "La Belle de Jour".
▶ listenThe Minas movement joining rock, bossa, jazz and folklore; the 1972 album is the landmark.
▶ listenWith Aldir Blanc: "O Bêbado e a Equilibrista", "Kid Cavaquinho".
▶ listen"O Trem Azul", "Paisagem da Janela", "Um Girassol da Cor do Seu Cabelo".
▶ listenLuiz Gonzaga's son: "O Que É, O Que É?", "Explode Coração".
▶ listenFrom Novos Baianos to the trio elétrico, where he was the first to sing; "Pombo Correio".
▶ listen"Meu Mundo e Nada Mais", "Planeta Água" and "Amanhã".
▶ listen"Chão de Giz", "Admirável Gado Novo", "Frevo Mulher".
▶ listen