Colonial music
Since 1760 · 2 artistsMasses and motets from the churches of Minas, Bahia and Rio: Lobo de Mesquita and Father José Maurício Nunes Garcia.
Carlos Gomes premiered 'O Guarani' at La Scala in 1870; Heitor Villa-Lobos made the 'Bachianas Brasileiras' the most-performed Brazilian classical work in the world. Nelson Freire, Guiomar Novaes and Bidu Sayão were performers of global reputation, and OSESP is the reference orchestra.
If you like Bartók, Stravinsky or concert music with folk roots, Villa-Lobos is the starting point.
Masses and motets from the churches of Minas, Bahia and Rio: Lobo de Mesquita and Father José Maurício Nunes Garcia.
Opera and parlour music of the Empire: Carlos Gomes of 'O Guarani', and Alberto Nepomuceno.
Villa-Lobos, Mignone, Camargo Guarnieri and Guerra-Peixe used popular rhythms and melodies in concert music.
From Gilberto Mendes's Música Nova manifesto (1963) to Marlos Nobre and Almeida Prado.
Guiomar Novaes, Bidu Sayão, Nelson Freire, João Carlos Martins, Antonio Meneses and OSESP.
Villa-Lobos and other Brazilian composers played by the pianist, released by Decca.
"O Guarani" (1870) premiered at La Scala in Milan.
▶ listenBrazil's greatest composer: "Bachianas Brasileiras", "Choros", "Floresta do Amazonas".
▶ listenWorld-renowned pianist; duos with Martha Argerich.
▶ listenPianist acclaimed in Paris and New York in the early 20th century.
▶ listen"Maracatu de Chico Rei", street-corner waltzes.
▶ listenSoprano at the Metropolitan Opera from 1937 to 1952.
▶ listenMusical nationalism; symphonies and "Dansa Brasileira".
▶ listenBetween classical and popular; arranger for Rádio Nacional.
▶ listenSão Paulo State Symphony; Sala São Paulo; led by John Neschling, Marin Alsop and Thierry Fischer.
▶ listenPriest and court composer in Rio, the greatest name in Brazilian colonial music.
▶ listenPianist and conductor, a performer of Bach.
▶ listen