Modinha and lundu
Since 1770 · 2 artistsThe 18th-century parlour song and Afro-Brazilian dance that came before choro and samba; Xisto Bahia and Catulo da Paixão Cearense.
Brazil's first urban instrumental genre: European polkas and waltzes played with African syncopation on flute, cavaquinho and guitars. Pixinguinha is the central name; 'Carinhoso' and 'Brasileirinho' are known worldwide.
If you like ragtime, traditional jazz or chamber music, choro is your entry point.
The 18th-century parlour song and Afro-Brazilian dance that came before choro and samba; Xisto Bahia and Catulo da Paixão Cearense.
The 'excommunicated' dance of late 19th-century Rio, mixing polka and lundu; Chiquinha Gonzaga and Ernesto Nazareth.
Choro circles still happen in bars and squares; the seven-string guitar plays the bass runs.
With Época de Ouro; one of choro's most celebrated records.
The ten-string mandolin between choro and jazz.
Choro's greatest name: "Carinhoso", "Rosa", "Lamentos"; flautist, saxophonist and arranger.
▶ listenThe first choro pianist and the country's first woman conductor; "Ó Abre Alas" (1899), the first carnival march.
▶ listenBrazilian tangos and piano polkas that fed choro: "Odeon", "Brejeiro".
▶ listenMandolinist and composer of "Noites Cariocas" and "Doce de Coco"; founded Época de Ouro.
▶ listenAuthor of "Tico-Tico no Fubá" (1917).
▶ listenChoro ensemble founded by Jacob do Bandolim.
▶ listen